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Conducting Business

Conducting Business

WQXR Radio 127 - Should Audiences be 'Allowed' to Clap Whenever They Want?

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Publié 20 juin 2012

Épisodes

20 juin 2012

11 juin 2012

Sat, 2 Jun 2012 14:00:00 +0000

29 avr. 2012

14 avr. 2012

28 mars 2012

Tue, 6 Mar 2012 21:57:45 +0000

22 févr. 2012

Thu, 2 Feb 2012 14:48:33 +0000

23 janv. 2012

Thu, 5 Jan 2012 14:46:00 +0000

Fri, 9 Dec 2011 21:39:29 +0000

18 nov. 2011

Fri, 4 Nov 2011 15:28:13 +0000

18 oct. 2011

Tue, 4 Oct 2011 01:48:06 +0000

15 sept. 2011

18 août 2011

27 juil. 2011

13 juil. 2011

23 juin 2011

18 mars 2011

Wed, 2 Mar 2011 20:02:45 +0000

17 févr. 2011

21 janv. 2011

Wed, 2 Jul 2014 20:41:01 +0000

26 juin 2014

19 juin 2014

Thu, 5 Jun 2014 19:58:10 +0000

Thu, 8 May 2014 21:24:58 +0000

30 avr. 2014

24 avr. 2014

17 avr. 2014

10 avr. 2014

Thu, 3 Apr 2014 15:00:00 +0000

27 mars 2014

20 mars 2014

13 mars 2014

Thu, 6 Mar 2014 14:49:16 +0000

27 févr. 2014

13 févr. 2014

Wed, 5 Feb 2014 16:00:00 +0000

30 janv. 2014

23 janv. 2014

16 janv. 2014

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Conducting Business

Épisodes

Should Audiences be 'Allowed' to Clap Whenever They Want?

How Crowdfunding is Connecting Classical Musicians with Cash

Variations on a Theme of Protest: Where are the Great Political Pieces?

You Paid How Much for That Ticket?

Judging Music by the Rules of Sport: Can Competitions Identify New Talent?

Freelance Musicians See Jobs Dwindle. Will Audiences Notice?

Attraction or Annoyance? Orchestras Invite Audiences to Use Their Smartphones

A Composer is Accused of 'Theft.' But Did Originality Ever Really Exist?

An Uncertain Song for New York's Cabaret Scene

Why Old, Expensive Violins Are Not Always Best

Hitting the Right Note in China: The Arts and Censorship

Evancho Raises Stark Questions about Child Stars and Their Parents

Puccini with Popcorn: Arts Organizations Battle for the Big Screen

Voices From On High: Countertenors to Coldplay

Wagner's Ring of Anti-Semitism: Can the Artist Be Separated From His Art?

Occupy the Concert Hall? How Arts Donations Ignore Poor, Ethnically Diverse

For Conductors, Is Tyranny a Thing of the Past?

What's a Performing Arts Executive Worth?

Artists' Concert Attire: Can Sexy Be Serious Too?

The Death of Borders and the Future of Classical Retail

Rating City Opera's Plan For Survival

The State of Pops Concerts: Where Light Meets Lite

New York City Opera: Where Does It Go From Here?

American Orchestras Face the Music

Confronting the System

Black Classical Musicians Rewriting the Odds

Ten Greatest Composers: Beyond the Usual Suspects

Arias in the Arena: Are Sporting Events Good for Opera?

Met's <em>Klinghoffer</em> Cancellation Reignites Old Debates

When Art and Sensitivity Clash: The 'Klinghoffer' Broadcast Cancellation

Behind Richard Strauss's Murky Relationship with the Nazis

Can Cleveland Really Attract the Country's Youngest Orchestra Audience?

Orchestras Move at Adagio Pace in Hiring Black and Latino Musicians

What's Gone Wrong with Encores?

Orchestras Issue Their Own Recordings: Vanity or Good P.R.?

Colorado Symphony Sparks Up a Concert Series for Marijuana Users

Ivory Ban Good for Elephants, a Headache for Musicians

As Record Store Day Returns, Where Can Classical Buyers Shop?

Are American Orchestras ‘Blatantly Ignoring’ American Music?

San Diego Opera Crisis Underscores Need for Fresh Business Models

Soprano Sharleen Joynt on Resuming an Opera Career After Reality TV's 'The Bachelor'

In a Rough Job Market, More Conservatories Stress Business Skills

Can Gustavo Dudamel and El Sistema Navigate Venezuela's Upheaval?

With NYC School Reforms, a Plan for Arts Programs?

Vienna Philharmonic: Facing its Nazi Past But Struggling with Diversity

'Japan's Beethoven': Understanding the Ghost Composer Scandal

Russia's Classical Stars Expected at Sochi Olympics Opening Ceremony

Classical Commercials: Can Gounod Sell Shampoo? Actually, Yes.

Rebounding Minnesota Orchestra is 'Still Mad at Itself'

The Puzzling Revival of the Vinyl LP